Wednesday, May 11, 2016

Priyanka Chopra Wishes The Rock on Birthday With New Baywatch Pic

Actress Priyanka Chopra, who is filming Baywatch with Dwayne Johnson in Savannah, Georgia, wished her co-star on his birthday with a wonderful picture from the sets of Baywatch on May 2.

Priyanka, who plays the main antagonist in the beach movie, shared on Instagram:

The Rock stars as lifeguard Mitch while Priyanka will feature as Victoria Leeds in the movie. Baywatch also stars Zac Efron, Alexandra Daddario, Kelly Rohrbach, Jon Bass and Ilfenesh Hadera in key roles.

Actress Pamela Anderson and David Hasselhoff, who starred in the iconic '90s TV show, will also make appearances in the movie.

Directed by Seth Gordon, Baywatch hits screens on May 19, 2017.

Michael Fassbender to Play Serial Killer in Entering Hades

Steve Job actor Michael Fassbender is in talks to star as a serial killer in Entering Hades, which he will also be co-producing.

Entering Hades is based on John Leake's crime novel about Jack Unterweger, a celebrated Austrian journalist and best-selling author who led a double life investigating murders by day and killing by night, amassing a body count of 11 people across multiple continents.

Alexander Dinelaris, who won the Oscar for Best Original Screenplay as one of the four screenwriters of Birdman, is rewriting the screenplay with Mr Fassbender, 39.

Bill Wheeler is the writer of the original script.

"With Bob and Richard's vision and Michael's keen ability to bring captivating characters to the big screen, we are confident that Entering Hades will be an entertaining thriller that draws a big audience," said Gabriel and Daniel Hammond, CEO and Chief Creative Officer of Broad Green Pictures.

Entering Hades is the first project announced by Broad Green Pictures and Storyscape Entertainment since the companies signed a first-look deal last year.

On Star Wars Day, 10 Star Wars Secrets Only a True Fan Would Know

A long time ago in a galaxy far, far away....a Jedi knight met a princess with a hairstyle that shouldn't have looked good on anyone but did on her and they met a smart-mouth pilot with a giant furball best friend and with the help of two robots - one tall, one short - they saved the universe from a Dark Lord and an Evil Empire. Star Wars: The Force Awakens, which released in December last year, is one of the highest-grossing films of all time.

Meanwhile, it's 'Star Wars Day' today - May 4 - and we're celebrating with this list of 10 things only a true fan would know. 'May the fourth be with you':

1.Harrison Ford and Mark Hamill generally played the fool on set while filming the first film. They only behaved when senior actor Sir Alec Guinness was around.




2. When Harrison Ford found out that Darth Vader was Luke Skywalker's father he said: "I didn't know that. Why the ?#@*!$ didn't you tell me?"




3.R2-D2 and C3PO appear as hieroglyphics in a scene in Raiders Of The Lost Ark (also starring Harrison Ford).



4. Until Finn and Daisy from The Force Awakens came along, Han Solo was the only non-Jedi who gets to use a light saber, when he cut open the tauntaun's stomach to keep Luke warm. But he didn't get his own, he used Luke's.




5. The gold bikini Carrie Fisher wore as Princess Leia in Return Of The Jedi was a result of the costumes she wore in the first two movies in which, she complained, no one could tell 'she was a woman.'



6. Scientists have actually calculated what it would take to build a real Death Star. They concluded that it was possible in theory but would require too much time and money.




7. By the third film, Anthony Daniels was able to get into his C3PO costume in minutes rather than hours.



8. Jabba The Hutt was six people in an animatronic suit.




9. David Prowse and James Earl Jones, the body and voice of Darth Vader, never actually met.




10. Ewan McGregor, who took over from Sir Alec Guinness as the young Obi Wan-Kenobi in the prequel trilogy, made light saber 'noises' all through filming the fights in The Phantom Menace which had to be deleted in post-production. Adam Driver, who joins the new cast in Episode VII, said he wanted to make light saber and R2-D2 noises on set but didn't.

Emma Watson's Met Gala Dress Made From Recycled Plastic Bottles

Harry Potter star Emma Watson's Met Galaoutfit was made from recycled plastic bottles. With the help from Eco Age, Calvin Klein Collection created an off-the-shoulder bustier, wide-leg tailored pants and a long detachable train for the 26-year-old actress.

And unlike the other gowns that will never be worn again, separate pieces from Emma's outfit can be used again.

Emma's stylist Sarah Slutsky explained everything in an Instagram post: The theme of this year's gala, which was held at Metropolitan Museum of Art in New York on May 2, was 'Manus x Machina: Fashion In An Age Of Technology.'

Cannes 2016: Freida Pinto's Trip to French Riviera Will be About This

Actress Freida Pinto will reportedly attend the upcoming 69th Cannes International Film Festival to launch the first project of non-profit production company called We Do It Together, which focuses on women's empowerment in the entertainment industry.

Freida is one of the members of the advisory board which also includes stars like Jessica Chastain, Juliette Binoche, singer Queen Latifah, and film director Catherine Hardwicke.

Other members are director Hany Abu-Assad, actress Zhang Ziyi, director Amma Asante, director Marielle Heller, director Katia Lund, director Malgorzata Szumowska, actress Alysia Reiner, National Humanities Medal honouree Henry Louis Gates and director Haifaa Al-Mansour.

The Cannes International Film Festival will commence on May 11- 21, 2016.

According to sources, Freida will be a part of the prestigious gala on May 15 to announce the first project of the company.

The production company We Do It Together (WDIT) aims to produce films and TV that boost the empowerment of women. The company also hopes to partner with male and female industry professionals to create a slate of gender-led projects, and to generate opportunities for women.

The organisation also participated at the United Nations' Third Annual Power of Collaboration Global Summit in February.

Freida's upcoming projects include Jungle Book: Origins and Yamasong: March of the Hollows.

What Captain America: Civil War and Batman v Superman Have in Common

When I left Batman v. Superman: Dawn of Justice back in March, I was convinced that DC's attempts to build a cinematic universe to match Marvel's wildly popular movie franchise was doomed. And while Captain America: Civil War suggests that Marvel's formula is alive and relatively healthy, it has unexpected - and unwelcome - parallels to Batman v Superman.

Taken together, these movies suggest that 2016 might be the year in which superhero films, at least as currently constituted, bump up against the limits of their ability to tell certain kinds of stories. And they're a striking illustration of what the drive to global dominance has cost superhero movies in terms of creativity and claims to social significance.

I should say up front - though saying it won't actually spare me the ire of folks who interpret any serious discussion of their favorites as a vicious trashing - that I quite enjoyed Captain America: Civil War. For a 2 1/2-hour movie, it moves really nicely; I didn't check the time until 105 minutes.

There's a fight sequence in the middle of the film that's just a joy; well-choreographed, character-driven and consistently surprising. And after years of obligatory shots of Black Widow's (Scarlett Johansson) posterior, Captain America: Civil War shows an admirably subversive commitment to serving up beefcake for those of us who are there to ogle the pretty gentlemen, including a sequence that exists almost entirely to showcase Chris Evans's-CGI-enhanced guns.

On every level, Captain America: Civil War is a more pleasurable moviegoing experience than Batman v Superman: Dawn of Justice, even taking into account the weird visual distortions that my 3-D glasses produced during my Captain America screening. But while one movie is quite enjoyable and the other is terrible, they illustrate the limits of political storytelling in superhero movie franchises in strikingly similar ways.

Both Captain America: Civil War and Batman v. Superman: Dawn of Justice are ostensibly movies that center on questions about the roles super-powered individuals play in national (and global) security, and whether superheroes can act independently of governments and still be legitimate.

In Captain America: Civil War, the collateral damage from an operation in Lagos when Scarlet Witch (Elizabeth Olsen) accidentally zaps the corner of a high-rise building prompts an international treaty that requires the Avengers to get United Nations approval for their operations. Iron Man (Robert Downey Jr.), in what seems like at least something of a reversal from his prior anxieties about invaders from outside the galaxy, decides that the Avengers need to be brought to heel, while Captain America, worried that bureaucracy will stop the Avengers from providing immediate aid, refuses to sign up to work for the U.N.

The movie weaves together an interesting set of positions, expressing doubt about international law, moral outrage about indefinite detention and a perspective on the radicalization process that removes the debate from the quagmire of Islamist terrorism. And it's better for having sympathetic characters on each side of the debate, even if everyone other than Captain America and Iron Man have motivations that are either unclear or susceptible to change when it's useful for the plot. (This isn't even to mention the questions about isolationism and security implied by Black Panther's (Chadwick Boseman) presence in the movie.)

Batman v Superman: Dawn of Justice begins with Bruce Wayne (Ben Affleck) witnessing the city-destroying fight between Kryptonians Superman (Henry Cavill) and General Zod (Michael Shannon) and deciding that no one person should have that much power and be able to act independently. A senator (Holly Hunter), prodded by tech titan Lex Luthor (Jesse Eisenberg), who has his own dark visions about a coming alien invasion, holds hearings. Superman shows up only for a Luthor-backed victim (Scott McNairy) of the New York battle to detonate a suicide bomb.

But it's not only explosions that distract Captain America: Civil War and Batman v Superman: Dawn of Justicefrom the questions that fuel their first and second acts. The "Martha" moment in Batman v. Superman became instantly infamous, and for good reason: the idea that this titanic clash between iconic superheroes, motivated by wildly different worldviews, would come down to the fact that their mothers share the same name made a mockery of the film's proposed stakes and the relative intelligence of both protagonists.

And without saying anything explicit, Captain America: Civil War also ends up pivoting as much on personal concerns as on big ideas.

At this point, I should note that this is fine! A movie or television show doesn't have to explore politics, much less to come down on whatever the proper side of any given political issue is supposed to be, to be any good. And anyone who's ever heard me argue passionately in favor of a She-Hulk romantic comedy knows I don't have some obsession with making superhero movies relentlessly grim and didactic. But I do find it interesting that both Captain America: Civil War and Batman v Superman: Dawn of Justice set out to explore politics and then shy away from giving answers to the questions they've posed, seeking refuge in more intimate themes and emotions.

Posing their burning cities and bruising fights as a way to explore big, relevant themes in national security makes a claim that these movies are more than childish popcorn entertainments. That specific grasp for credibility only works, though, if you're willing to advance an argument about the questions you're posing, rather than simply punting it to the next franchise installment.

Christopher Nolan's Batman trilogy managed to do some of this. Increasingly, I'm unsure that another superhero franchise, at least not one governed the way Marvel and DC are handling their cinematic universes, will be able to manage it again.

It's not that there's anything about superheroes that makes it impossible to tell sophisticated political stories with a definite perspective.Jessica Jones, made for Netflix, an outlet that prioritizes smaller but highly passionate audiences, spent its first season telling a very specific story about misogyny and free will.

But in a business environment where the biggest superhero movies have to clear a billion dollars at the box office to be considered successful, and where superhero stories have to play equally well in wildly different political and cultural contexts, making an actual political argument might be the riskiest thing Marvel or DC could do. In conquering the world, superhero movies may have given up a piece of the argument that they deserve to rule it.

8 Things You Should Know About Captain America: Civil War

It's not a question of whether Captain America: Civil War is Marvel Studios' best movie yet. With Friday's release of Marvel's greatest film, the debate immediately becomes: Where does this movie rank within the history of comic-book cinema?

Captain America's Civil War visage is fit to be carved on the Mount Rushmore of comic-book movies. But where to make room alongside such greats as Tim Burton's first Batman film, the first two Sam Raimi Spider-Man movies, the second X-Men film and Christopher Nolan's The Dark Knight? Let's delve into how Cap stacks up.

With the Russo brothers as directors, what Kevin Feige and his entire Marvel Studios team have achieved with this third Captain America film is cinematic magic - the culmination of a Marvel Cinematic Universe that has been allowed to luxuriously build out its interconnected films over the years, with 2008's Iron Man as the true launch pad.

Civil War features two flush teams of superheroes duking it out, yet it never feels overcrowded, even as two new MCU franchise characters are introduced in Spider-Man (Tom Holland) and Black Panther (Chadwick Boseman).

Here are eight key takeaways from Captain America: Civil War:

1. The next Avengers movies will have a tough time topping Civil War

Who knew that Civil War would set the bar so high for the forthcoming Avengers films (Avengers: Infinity War Parts 1 and 2). As directors, Joe and Anthony Russo might need personalized Infinity Gauntlets to try to craft an Avengers tale with Thanos (the baddie in the next Avengers films, of course) that can top Civil War. It's now abundantly clear why Marvel has decided to let the Russos guide the next stages of the assembled Avengers. With their two Captain America films, the Brothers Russo have turned the character into Marvel Studios's top superhero franchise.

2. Spider-Man is brilliantly "rescued" by Marvel

What a difference Marvel Studios makes. Now that Marvel and Sony share joint custody of the wallcrawler, Marvel has shown the power of its oversight by making us actually want another Spider-Man movie. As the new Peter Parker, the teenaged Tom Holland steals scenes and holds his own opposite Chris Evans and Robert Downey Jr. Holland's charisma shines whether he's in costume or not, and he provides the Spider-Man franchise with something it's never had: genuine youth.

3. Black Panther is triumphant

As regally portrayed by Chadwick Boseman, Black Panther's MCU arrival lives up to the hype. The Black Panther doesn't just appear for a cat-suit cameo; he plays a major part in Civil War, and is connected to the future of Marvel in a massive way. If you loved this character on the comics page, you will not be disappointed with the screen incarnation.

4. RDJ shines, but this is Chris Evans' movie

Downey Jr. may be the most naturally charismatic actor in the MCU - and his Iron Man performance here is his most emotional yet - but he doesn't dominate Civil War because he pitches his performance just right. Meanwhile, Evans gives his best performance yet as Steve Rogers/Captain America. Here, Cap is a soldier who opposes government interference - a stance that comes from the heart as he looks out for his fellow Avengers. That narrative allows Evans enough of a spotlight to exude a steely, sometimes quiet strength. That puts one fact into high relief: Downey becomes Iron Man when the high-tech suit comes on; Evans is Captain America whether he has donned the mask and shield or not.

5. The Cap and Bucky brotherhood resonates

Since the first Captain America movie (2011's The First Avenger), we've witnessed the bond between Steve Rogers and James "Bucky" Barnes. Before he became an Army experiment, the oft-bullied Steve Rogers couldn't defend himself, let alone his country. But Bucky was always there to help him. So even after being injected witih super-serum, Rogers has forgotten those acts of friendship. In Civil War, when Bucky is in the crosshairs of a world convinced he's a dangerous terrorist, his bond with Steve is at the dead-center of a new conflict. Steve can't abandon Bucky, even when Iron Man is the one taking aim.

6. The biggest superhero battle delivers

Civil War's action hits a high when Team Cap and Team Iron Man clash at a German airport, and this epic scene delivers payoff after visual and verbal payoff. Spider-Man becomes Marvel's newest star in this battle, but he doesn't pull off the most incredible feats - a big moment from the hero you might least expect to deliver it.

7. There's room for foxhole humor

Civil War is an emotional tale that takes a toll on its heroes. Yet Marvel always manages to offer deft one-liners. And one surprise here is the comic chemistry between the Falcon (Anthony Mackie) and Bucky/Winter Soldier (Sebastian Stan). That only enhances the expected funny moments from Downey Jr.'s Iron Man and Paul Rudd's Ant-Man.

8. Civil War sets a superhero-movie standard

"Is it as good as The Dark Knight?" "Is it better than The Avengers?" Those questions as standard-bearing comparison points can now be replaced by: "Is it as good as Civil War?"

This Captain America is the new pinnacle of comic-book moviemaking.

©2016, The Washington Post

5 Things You Need to Know About the Cannes Film Festival

The Cannes Film Festival opens on May 11 in the French Riviera resort. Here are five essential - and often surprising facts about the glitzy Mediterranean town.

Bad timing

Timing is everything in cinema, they say, but as Cannes was to prove that's not always the case. France's great reforming Education Minister Jean Zay first came up with the idea of a global international film festival in 1939 as a rival to the Venice festival, which was then the plaything of Italian dictator Benito Mussolini and his film-loving German friend Adolf Hitler.

Biarritz on France's Atlantic coast was first chosen as the host city but when it couldn't raise the money, Cannes nipped in. However, war soon broke out and Mussolini's troops marched into the town. It wasn't till after the war in 1946 that the festival finally got going, quickly becoming the most important in the world.

Unfortunately by then Jean Zay was dead, murdered because he was a Jew by France's collaborationist government. His ashes were moved to the Pantheon in Paris last year as one of the leading heroes of the French Resistance.

Lap of luxury

The myth of the French Riviera was created at the end of the 19th century by the crowned heads of Europe who wintered there. Their legacy and often their palatial villas - has nowadays been taken up by Russian oligarchs and wealthy Gulf potentates.

To serve their every whim, Cannes has more luxury good shops than anywhere else in France outside Paris. Chanel, Chopard, Rolex, Prada, Louis Vuitton, Dior, no less than 70 top name brands have shops squeezed into the 800 metres of its seafront Croisette.

Cat burglars

Like bears to honey, where there is great wealth, there are always criminals eager to redistribute a little of it their way.

The Croisette has witnessed some of the biggest and most daring jewellery heists in history.

A solitary robber, thought to be one of the infamous Pink Panthers, took gems worth 103 million euros ($130 million) from the Carlton hotel in 2013 where they were being displayed at an "Extraordinary Diamonds" exhibition.

The surprisingly simple raid still holds the world record as the biggest heist of all time.

That same year at the film festival a 1.6-million euro necklace was stolen and gems worth only slighty less also went missing.

Having vowed that such crimes should never be allowed to happen again, the authorities were found wanting again last year when only a few days before the festival began 17.5 million euros of jewellery were taken from the Cartier shop on the Croisette.

If that all seems like something from the movies it's because it is. That connoisseur of crime films Alfred Hitchcock set part of his 1955 classic To Catch a Thief about a Riviera cat burglar in the Carlton hotel.

It was during the film shoot that Hollywood star Grace Kelly met Prince Rainier, the ruler of nearby Monaco. Their fairytale marriage later sealed Tinseltown's links with the coast.

It's British actually

Cannes is a French town, but it was actually the British who made it what it is today. A Scottish aristocrat and lawyer, Henry Brougham, 1st Baron Brougham, is the man who turned the sleepy fishing village into a fashionable resort.

An anti-slavery campaigner, he became Lord Chancellor, the head of the judiciary, and encouraged hundreds of wealthy British aristos and industrialists to come and build their winter homes nearby. Mr Brougham was the inventor of a stately four-wheeled carriage which still bears his name. He also holds the record for speaking non-stop for six hours in the House of Commons.

'French Hollywood'

From the dawn of cinema, when the Lumiere brothers shot their first short reels by its glittering shore, the Cote d'Azur has always attracted filmmakers.

After the Lumieres' stay in 1897, some of the greatest directors of the silent era descended on the coast to shoot exterior scenes, a trend that was to continue with the advent of the "talkies."

The Victorine Studios at nearby Nice were once called "French Hollywood", with Marcel Carne shooting part of Les Enfants du Paradis - often regarded as the greatest French film of all time - there in 1944.

Nowadays, however, Cannes has morphed into one of Europe's conference capitals, hosting the MIPTV and MIPDoc, the world's biggest television and documentary markets, as well as the film festival every year.

The 69th annual Cannes Film Festival is scheduled to be held from May 11 to 22. Bollywood actresses Aishwarya Rai Bachchan and Sonam Kapoor will attend the Cannes Film Festival.

Cannes 2016: These Films Are Competing For the Top Prize

The world's most important and most glamorous film festival opens in Cannes on the French Riviera on May 11. These are the 21 films competing for its top prize, the Palme d'Or:

The Last Face

American actor-director Sean Penn is back in dangerous territory, his favourite habitat, with this fiery love story set in war-torn Liberia between the boss of an aid organisation played by Charlize Theron and a doctor (Javier Bardem).

Julieta

Spain's Pedro All About My Mother Almodovar continues his obsession with all things maternal in this full on adaptation of three short stories by the Canadian writer Alice Munro about a mother's search for her daughter who disappears for a decade.

It's Only the End of the World

French Canadian wonderkid Xavier Dolan conducts an all-star cast including Marion Cotillard, Vincent Cassel and Lea Seydoux in this drama about a writer, who returns home to tell his family he is dying.

The Salesman

The Iranian master Asghar Farhadi, who won an Oscar for A Separation, returns to his theatrical roots in this story of two actors whose relationship turns sour during their performance of Arthur Miller's Death of a Salesman.

Toni Erdmann

An old man plays pranks on his adult daughter who he feels, lacks a sense of humour in German director Maren Ade's much-anticipated new film seven years after she won the Jury Grand Prix at Berlin for Everyone Else.

Loving

Jeff Nichols tells the story of a mixed race couple confronting racism in 1950s Virginia, based on the notorious case of Mildred and Richard Loving who were sentenced to a year in jail for marrying.

Paterson

US director Jim Jarmusch, whose new documentary about his friend Iggy Pop will also be screened at Cannes, is apparently back to his downbeat best with Adam Driver playing a bus driver poet in the New Jersey city of Paterson.

I, Daniel Blake

Until he hit comedy gold with Looking for Eric, no one could have accused the veteran British director Ken Loach of playing for laughs. But he has cast comedian Dave Johns in his latest gritty drama about welfare cuts hurting vulnerable families.

American Honey

A hard partying band of misfits selling magazines criss-cross the American Midwest in British director Andrea Arnold's road movie starring maverick Hollywood star Shia LaBeouf.

Personal Shopper

A ghost story set in the Paris fashion world with Twilight superstar Kristen Stewart teaming up again with France's Olivier Assayas after they scored a hit with their last English-language film, Sils Maria.

The Handmaiden

Sarah Waters' erotic crime novel Fingersmith has already been turned into a television series, but South Korean director Park Chan-wook best known for Old Boy transposes the story of a rich woman and a crook to colonial 1930s Korea.

Slack Bay

To say that French director Bruno Dumont divides critics is an understatement, but Cannes clearly loves him particularly after the success of his oddball television series Li'l Quinquin. He returns to the north French coast with this period drama about the mysterious disappearances of tourists starring Juliette Binoche and Valeria Bruni-Tedeschi, the sister of former French first lady, Carla Bruni.

Graduation

Originally called Family Photos, the latest film from the Romanian New Wave star Cristian Mungiu is apparently a semi-autobiographical tale of fatherhood. He won the Palme d'Or in 2007 with the harrowing abortion drama Four Months, Three Weeks and Two Days.

The Unknown Girl

Uplifting crowd-pleasers have never been the Belgian Dardenne brothers' bag. And their latest about a young doctor who unwittingly turns a dying girl from her door does not look like a barrel of laughs.

However, they have won the top prize twice. So, will this be their hattrick?

Elle

It has taken him two decades to recover from Showgirls, but Dutch director Paul Verhoeven is back in the arthouse fold with French actress Isabelle Huppert playing a businesswoman attacked in her home.

Sieranevada

The second Romanian film in the running for the Palme d'Or is a family drama about neurologist coming to terms with his dead father from director Cristi Puiu, who made a big impact with his 2005 tragicomic The Death of Mr Lazarescu.

The Neon Demon

A vicious beauty cuts a bloody path through the Los Angeles fashion and celebrity scene, there is even talk of cannibalism in this supermodel horror flick from the hand of Denmark's Nicolas Winding Refn, best known for Drive.

From the Land of the Moon

In her second film in competition, Marion Cotillard stars as a woman caught in an unhappy marriage who falls in love again in French director Nicole Garcia's film set just after World War II.

Ma'Rosa

A small Manila shopkeeper who is caught selling a small amount of drugs is the heroine of the prolific Filipino director Brillante Mendoza's story of a family rallying against corrupt police.

Staying Vertical

French director Alain Guiraudie's new film about a film director adrift "in the heart of France" may scream navel gazing. But if his thriller Stranger by the Lake is anything to go by, expect some strange twists along the way.

Aquarius

The only Latin American entry by Brazilian film-maker Kleber Mendonca Filho is as yet something of a mystery. Set in an apartment block, it stars telenovela superstar Sonia Braga.

How People React When Celebs Talk About Depression and Mental Health

The interview is shown in black and white, as if to warn viewers of the serious business ahead. Bright, bubbly, Frozen actor Kristen Bell is sitting across from YouTube show host Sam Jones. The four-minute video starts in mid-conversation because the interview has been trimmed down into short, viral-ready clips.

"I'm extremely co-dependent," Bell says, "I shatter a little bit when I think people don't like me. That's part of why I lead with kindness and I compensate by being very bubbly all the time, because it really hurts my feelings when I know I'm not liked. And I know that's not very healthy, and I fight it all the time."

Bell reveals she started medication for her mental-health issues at a young age.

"I still take it today and I have no shame in that, because my mom had said to me, 'If you start to feel this way, talk to your doctor, talk to a psychologist, see how you want to help yourself'," she continues.

The interview was posted in early April and picked up recently by celebrity news sites, just as intended. The sites wrote about Bell's admission not as gossipy tabloid fodder but as praise for her honesty. Beneath the articles, readers' comments are overwhelmingly positive. "I completely relate to her," one Facebook commenter wrote.

Reading this might make you feel a little ". . . so what?" And that's why it's significant: Celebrities admitting they struggle with depression is now non-news.

Mental-health issues have always been shrouded in stigma, despite data showing they affect about 18 percent of American adults. Because people tend to mimic the actions and opinions of celebrities they admire, interviews like Bell's make a small dent in that stigma. Add her small dent to that of actor Chris Evans who, while promoting himself as the unshakable Captain America, discussed his anxiety in Rolling Stone magazine.

Add those to the comments by Sarah Silverman, Lady Gaga, Jon Hamm, Gwyneth Paltrow, Catherine Zeta-Jones, Lena Dunham, Ryan Phillippe, J.K. Rowling, Jim Carrey and others, and you can feel the stigma shrinking. And you can see it in research.

In a survey conducted last year by the Anxiety and Depression Association of America (ADAA), 35 percent of adults older than 26 said they believed seeing a mental-health professional was a sign of strength. But among younger people, 60 percent agreed getting mental-health help was the strong thing to do. Those ages 18 to 25 were far more likely to have already reached out for help: 51 percent had received some kind of mental-health treatment, including therapy and medication, compared with 37 percent of older adults.

"Years ago when Rolling Stone did a story on Bruce Springsteen, and he shared that he was in treatment for many years from depression and thoughts of suicide, I had an influx of young men calling for psychotherapy," psychologist and author Deborah Serani recently told Forbes. "His disclosure helped. . . along the lines of 'Hey, Springsteen was depressed, and he reached out for treatment. I can too'."

That was the sentiment in reaction to Bell: Readers shared her interview alongside posts about their own panic attacks, struggles with medication and suicidal thoughts.

But occasionally, someone would point out an issue no amount of stigma-breaking can fix.

"Therapy helps, if you can get it. . ."

"How about 7 kids no money for food for heat for no lights no money for the kids lunch."

"I've tried medicine when I was young, but when I became of age I couldn't afford it anymore, I'm a poor folk, no insurance, so I just cope."

The cost of mental-health care is out of reach for many Americans. Last year, the Substance Abuse and Mental Health Services Administration found that fewer than half of the 43.6 million Americans with mental illnesses are receiving treatment.

"We're seeing a shift in the stigma of mental health in emerging adults," said psychologist Anne Marie Albano, in a release regarding the ADAA findings. "But until we can improve access to mental-health care, it is unlikely that this generation will receive the support and care for a long-term change in mental well-being."

Perhaps the next wave of celebrity PSAs won't be about accepting the need for mental-health treatment, but advocating to make it easier to access.

At Cannes, a Choice Between Tight Security and Wrecking the Party

The Cannes film festival opens this week with the authorities in the French Riviera resort torn between the need for tight security and wrecking the party of a particularly starry year.

France is still officially under a state of emergency, 6 months after the Paris attacks in which 130 people died and Interior Minister Bernard Cazeneuve will visit the town himself to oversee measures. He promised "the highest level of security possible given the context of the terrorist threat."

With a host of Hollywood stars including Julia Roberts, Jodi Foster, Sean Penn, Robert De Niro, Kirsten Dunst, Charlize Theron, George Clooney and Jeff Bridges due on the Croisette for the festival which starts on May 11, police are taking no risks.

They staged a simulated terror attack last month on the Palais des Festivals, where the films in the running for the Palme d'Or are shown, to test their new emergency response plan.

A car bomb attack on a school on the town was also a part of the scenario, with four top security experts including former Israeli general and anti-terrorism expert Nitzan Nuriel carrying out a full security audit.

Air and sea exclusions zones are also being declared, including a ban on drones, with a security cordon thrown around Cannes and all road and rail routes leading to the town.

Mayor David Lisnard said that the police were being ordered to "randomly search people in the street. "We are taking all measures so that the festival will be both safe and popular," he said.

More than 500 security personnel will guard the Palais des Festivals itself and prefect Adolphe Colrat will announce on Monday the number of police and paramilitary gendarmes that are being drafted in to patrol around that cordon.

He has already said that security will be "a degree above last year's levels" which were themselves ramped up after the Charlie Hebdo and Kosher supermarket attacks in Paris.

But many are worried that too much security will cramp Cannes, making the already hectic merry-go-round of screenings, meetings, interviews and parties all the more difficult to navigate.

'Sealed bubble'

The head of the Directors' Fortnight section of the festival, Edouard Waintrop sounded the alarm, telling reporters that he had been forced to cut screenings.

"We will have exceptional security measures in place this year. We've lost 17 hours of screenings which is equivalent to four films due to the new security protocols for gaining access to the cinemas. If the numbers have fallen this year, it's not out of choice but rather necessity," he added.

The festival's President Pierre Lescure insisted a balance had to be struck between security and freedom of movement.

Nevertheless, there would be no compromising on the "sealed bubble" around the Palais, he said, where the stars including Russell Crowe, Kristen Stewart and Ryan Gosling will walk the red carpet. With a quarter of a million visitors due in the Mediterranean resort during the festival, which runs until May 22, bottlenecks and queues are inevitable, however.

And no amount of security in the past has deterred the determined criminals and cat burglars of the Cote d'Azur.

The so-called Pink Panther gang were blamed for a 103-million euro ($130-million) gem theft in 2013 from the Carlton hotel where Alfred Hitchcock's classic film To Catch a Thief was set, and last year, robbers escaped with 17.5 million euros worth of jewellery after holding up the Cartier boutique on the Croisette.

The festival's opening film, however, comes from a seemingly more innocent era. Woody Allen's Cafe Society starring Kristen Stewart, is about a young couple who fall in love in 1930s Hollywood.

Eva Mendes, Ryan Gosling (Secretly) Welcome Second Daughter

Hollywood stars Eva Mendes and Ryan Gosling have welcomed a second daughter, after once again keeping the pregnancy under wraps, TMZ reported.

Eva, 42, who started dating the Canadian actor in 2011, gave birth to Amada on April 29 in Santa Monica, near Los Angeles, the entertainment news site said.

Representatives for the American actress and 35-year-old Canadian star did not immediately confirm the report. They already have a daughter Esmeralda, born in 2014.

For both pregnancies, Eva, a Cuban-American born in Miami but raised in California, chose to rarely, if ever, appear in public, or appeared artfully wrapped in scarves and shawls.

Ryan met Eva on set while filming The Place Beyond the Pines, in which they played a couple with a baby. Ryan, a frequent candidate on the world's sexiest men list, is known for his roles in Drive and Crazy, Stupid, Love.

The actor - whose previous partners have included Sandra Bullock - was shortlisted for an Academy Award for 2006's Half Nelson. Ryan served up his hugely-anticipated directorial debut Lost River at the Cannes Film Festival in 2014, which had some critics screaming in pain and others singing his praise.

Last year he played an arrogant banker in The Big Short, and his police comedy The Nice Guys comes out this month.

Cannes 2016: Kristen Stewart, Marion Cotillard Rule With 2 Films Each

There will be no shortage of stars at the Cannes film festival. But this year, Twilight actress Kristen Stewart and French film actress Marion Cotillard are sweeping into the French resort town with films in the official selection.

Marion, 40, who has become a transatlantic celebrity with an Oscar and several Hollywood blockbusters, will appear in two films in the running for the top prize, the Palme d'Or.

In From the Land of the Moon, set just after World War II, Marion stars as a woman caught in an unhappy marriage who falls in love again. She also stars in It's Only the End of the World by French Canadian director Xavier Dolan, about a writer who returns home to tell his family he is dying.

Marion also won America's highest acting award in 2008, the Oscar and Kristen Stewart became the first American actress to win France's equivalent, the Cesar, in 2015, for her supporting role in Clouds of Sils Maria.

Kristen, 26, became a celebrity icon for an entire generation as Bella in the blockbuster vampire film Twilight.

This year, she appears in the out-of-competition opening film, Woody Allen's Cafe Society, about a young couple who fall in love in 1930s Hollywood.

She is also starring in Personal Shopper, a ghost story set in the Paris fashion world, which is running for the Palme d'Or. Kristen has collaborated with Sils Maria director, France's Olivier Assayas for the film.

Kristen, a Los Angeles native, was first discovered by a talent scout who spotted her in a school play at the age of eight.

Her breakout role was opposite Jodie Foster in the 2002 thriller Panic Room and at 17 her career rocketed into the stratosphere when she got the role of Bella Swan in Twilight.

Her relationship with Twilight co-star Robert Pattinson made her a tabloid favourite, particularly after she was pictured cheating on him with then-married director Rupert Sanders in 2012.

Up-and-comers

The festival will also feature young up-and-comers with Lily-Rose Depp and Elle Fanning.

With parents like Hollywood superstar Johnny Depp and French singer-actress Vanessa Paradis, Lily-Rose was never going to fly under the radar, and the 16-year-old has already turned to acting and become the teenage face of Chanel.

She makes her Cannes debut as legendary American dance prodigy Isadora Duncan in La Danseuse (The Dancer), which will be shown in the Un Certain Regard section of the festival. Lily-Rose made her debut alongside her father in Kevin Smith's 2014 horror comedy Tusk.

She also stars in the upcoming French drama Planetarium alongside Natalie Portman.

Another Cannes teen star is American actress Ellie Fanning, 18, who features in Danish director Nicolas Winding Refn's horror thriller The Neon Demon about cannibalistic models.

Elle Fanning is the younger sister of former child star Dakota Fanning. Her ascent into stardom began when she was just two-years-old, playing a younger version of her sister's character in the 2001 Michelle Pfeiffer/Sean Penn film I am Sam.

She has also appeared in Sofia Coppola's Somewhere and Francis Ford Coppola's Twixt.

Kirsten Dunst on jury duty

Another Cannes queen is American film star Kirsten Dunst, one of four women on the nine-member jury who will decide who wins the Palme d'Or, the top prize at the world's most prestigious film festival.

Kirsten, 34, won the Best Actress Award at Cannes five years ago for her part in Lars von Trier's Melancholia.

Like some of her fellow Cannes royalty, she was a child star before building a glittering career by mixing arthouse hits like Interview with the Vampire and The Virgin Suicides with the Spider Man films.

She will soon be seen in Woodshock, a first foray into filmmaking for Los Angeles fashion designers Kate and Laura Mulleavy.

Cannes 2016: Jean-Pierre Leaud to Receive Palme d'Or


Jean-Pierre Leaud, the actor regarded by French New Wave great Francois Truffaut as his double, will receive an honorary Palme d'Or, the organisers of the Cannes film festival said on Tuesday on the eve of its opening.

Jean-Pierre Leaud, 71, made his debut at Cannes at just 14 in 1959 in Truffaut's semi-autobiographical masterpiece The 400 Blows, with the director later admitting that the actor was effectively playing him.

He later went on to star in other Truffaut classics such as Stolen Kisses and Bed and Board.

But the director's untimely death at 54 in 1984 was a disaster for the actor who was so closely associated with the master.

"Jean-Pierre Leaud is a part of Cannes legend," a spokesperson for the festival said in a statement. "His spontaneity was representative of the wind of freedom that the French New Wave brought to cinema."

The official Twitter handle of the Cannes Film Festival also posted:

Although Jean-Pierre Leaud also worked with the other great New Wave director Jean-Luc Godard, his career never quite recovered.

The Palme d'Or is the highest prize at Cannes and will be awarded just before the festival closes on May 22.

Cannes 2016: Celebs Arrive Amid Tight Security

Cannes began rolling out the red carpet on Tuesday as stars including Kristen Stewart and Blake Lively swept into town for the world's top film festival whose dazzle is being tested by stiff security measures.

On foot, horseback and motorbikes, police patrolled the Croisette, a strip of beach lined with ultra-luxury stores and headed by the Palais des Festivals, the main venue for the cinema extravaganza which gets under way on Wednesday night.

A small army of workers carefully unrolled strips of the 60-metre red carpet that will host stars such as Julia Roberts, Jodie Foster, Sean Penn, Robert De Niro, Kirsten Dunst, Charlize Theron and George Clooney over the 12-day festival.

The first of the big Hollywood films, Ms Foster's drama about a Wall Street tipster Money Monster starring Mr Clooney and Julia screens Thursday. Steven Spielberg will roll out his blockbuster version of Roald Dahl's The BFG at the weekend, although neither are competing for the top prize, Palme d'Or.

But already some of the main competition films are stirring controversy, with Juliette Binoche starring in horror film Slack Bay, which is about Victorian tourists eaten by the locals in northern France.

- Cannibalism -

Another, The Neon Demon, also features cannibalism, this time among supermodels in Los Angeles according to the film's Danish director Nicolas Winding Refn, who is notorious for depicting extreme violence.

The population of Cannes is set to nearly triple to some 200,000 people as film producers, industry workers and actors roll in to soak up the glamour, sell films, network and party.

The festival has also created a security headache worthy of a movie script for French authorities six months after a series of attacks that killed 130 people in Paris.

"We must keep in mind as we prepare to open this festival, that we are faced with an enemy determined to strike us at any moment," Interior Minister Bernard Cazeneuve said on a visit to Cannes Monday.

As a result an "extraordinary mobilisation" of security forces has been put in place, with 400 private security agents guarding the Palais des Festivals alone, where the main films are shown.

Mr Cazeneuve said bomb experts would carry out daily sweeps of the venue.

Hundreds more police officers and specialist units will be on duty in the city, whose lure for the rich and famous makes it equally attractive to jewellery thieves - with several multi-million dollar heists in recent years.

Cannes has 500 CCTV cameras, making it the most closely monitored town in France, said Mayor David Lisnard.

- Balancing fun and security -

He dismissed concerns that the tight security will throw a wet blanket over the parties, glitter and glamour of the event.

"Do you think an attack brings merriment? We have succeeded in preserving the festival atmosphere. The public will be at the foot of the steps. All the parties will be authorised but security must be taken care of," he told AFP.

Last month elite police forces staged a simulated terror attack at the Palais des Festivals.

Air and sea exclusion zones have also been declared, as well as a ban on drones, and the Mayor has said random searches will be conducted in the streets of Cannes.

Hollywood stars Blake Lively and Kristen Stewart were photographed arriving in town.

The pair star in Woody Allen's Cafe Society which will open the event on Wednesday on what is expected to be a rain-drenched evening.

The movie, about a young couple who fall in love in 1930s Hollywood, is being screened out of competition.

Nearly 90 feature films will be shown in this year's official selection, 21 of which are in the running for the Palme d'Or.

But hundreds more films will be screened in the film market and in the Director's Fortnight and Critics' Week sections.

With the clock ticking, hectic last-minute preparations were still going on, with cranes lining the Croisette.

In Cannes port, crew members scrubbed the sleek yachts where many of the festival's parties take place.

Several billionaires have parked their superyachts along the Riviera for the festival: Microsoft co-founder Paul Allen's Octopus was in Nice and Spielberg's Seven Seas in Antibes, according to Forbes.com.

Cannes 2016: Meet the Jury Members

The world's most glamorous film festival opens in the French Riviera resort of Cannes on Wednesday.

Meet the jury members who will decide who wins the top prize at Cannes, the Palme d'Or, on May 22:

George Miller

The 71-year-old Australian president of the jury trained as a doctor before creating the outback post-apocalyptic world of Mad Max, partly inspired by his days working in a hospital emergency room.

Arnaud Desplechin

The 55-year-old French maker of the 2008 film A Christmas Tale had another hit last year with My Golden Days and is a connoisseur of family dramas.

Kirsten Dunst

Kirsten, 34, the former child actor has had built a glittering career matching arthouse hits like Interview with the Vampire and The Virgin Suicides with blockbusters such as the SpiderMan films.

Valeria Golino

The Italian actor-director is best known for her part in Rain Man alongside Dustin Hoffman and Tom Cruise. Her first feature, Honey, was screened at Cannes in 2013.

Mads Mikkelsen

Denmark's best known export after bacon and beer made his name as a sensitive cop in the Pusher film trilogy before playing a memorable line of baddies including Le Chiffre in the Bond film Casino Royale and Dr Hannibal Lecter in the television version of the cultured cannibal story.

Mads Mikkelson, 50, also stars in the new Star Wars film, Rogue One. His inclusion on the jury was somewhat controversial, as he is a close friend of Dane Nicolas Winding Refn, who is in the running for the Palme d'Or.

Laszlo Nemes

The Hungarian director's debut feature, Son of Saul, picked up the Best Foreign Language Picture Award at both the Oscars and the Golden Globes this year as well as the Grand Prix at Cannes in 2015.

It was described by Claude Lanzmann as one of the best films he had seen on the Holocaust, no mean praise from the French maker of epic documentary Shoah.

Vanessa Paradis

The French singer and actress began as a model before becoming a huge film and singing star in France and having two children with Hollywood star Johnny Depp.

Katayoon Shahabi

The Iranian producer, who was born in 1968, is very successful in her homeland. She has made a series of documentaries, including one about the impact of the Oscar Asghar Farhadi won in 2012 for the acclaimed A Separation had on the Islamic Republic. Farhadi is again in the running for the Palme d'Or this year with The Salesman.

Donald Sutherland

The veteran Canadian actor, now the head of a thespian dynasty that includes his son Kiefer Sutherland and granddaughter Sarah, made his name with the war film The Dirty Dozen before starring in the Oscar-winning thriller Klute alongside Jane Fonda.

With a career spanning over five decades, Donald Sutherland made a comeback in The Hunger Games franchise.